Between sign and sculpture

The first time I held a drawing was in late 2018.

Out of curiosity, I had purchased a 3D pen and, while tracing the first lines on a sheet meant to recall the figure of a child, I realized that its true potential did not lie in attempting to build three-dimensional objects, but rather in detaching those lines from the two-dimensional plane and freeing them into space.
In this way, the trace of any drawing made with that pen would become something solid and tangible, an entity made of pure line, not bound to a surface in order to exist, but self-sufficient.

Moreover, being extremely light and reversible, its subtlety made it even more fascinating, especially when suspended in space.
These were not creations born from a sculptural approach, imposing force and shaping materials, but rather graphic works, rooted in my pictorial background.

Sculptures that, before becoming such, were merely marks on a surface.

Miracolo d’Agosto

Presenze intermittenti

Tra le creature della terra

Polifonia di una creazione

Alla fine del bosco

paesaggi perturbati

La pelle della terra

Verso camille

La pelle della Terra

Sogno di polvere, fango, inchiostro

Rifugi

Studio per una scultura fatta di segno

Come per riconoscermi

il giardino perduto

dove cadono le foglie

con le stelle

avventura panica

Mythologies

storia di una sorgente non ancora nata

Ascolta. Piove

memorie arboree

metamorfosi vegetale

spirito silvestre

il sonno dei boschi

quel che resta degli alberi

diaspora

case invisibili

stormi

la vera croce

infrasottili